Mark's Pronunciation Blog

IATEFL Pronsig's "Speak Out" magazine 50th Edition celebratory issue is just out, and what an amazing collection it is. Contrats to Robin Walker for getting it together! I'm very proud to have an article in it myself, entitled "A Map of Pronunciation Teaching". Here's the map and excerpts from the intro and conclusion of the article.

For awareness of pronunciation features including sounds and spelling, and features of connected speech, for B1 upwards: put this poem on the board and ask students to read it and work out what it's all about. Here's what happened when I tried: they all looked totally blank. One or two asked for vocab items, like 'gee!', which I then explained.

Ray Parker argued that, regarding stress-timing and rhythm, we have tended to throw the baby out with the bathwater. The notion that natural spoken English has a regular rhythm, he says, has been discredited by the research, but our response has been to abandon both that, and any attention to stress-timing.

Mark: Great pronunciation event at the weekend. Adrian Underhill shared insights in how sounds are articulated and relate to one another (see his blog on the phonemic chart here).

The Pronunciation SIG Pre-conference event for 2013 took an ELF perspective on teaching pronunciation. The speakers were Robin Walker, Grzegorz Spiewak and Mark Hancock, and it was hosted by Wayne Rimmer. Robin Walker started off the day by showing the differences this perspective makes in terms of goals, models, view of L1, variations and accents, and intelligibility.

Richard Cauldwell is gradually developing a whole new set of words and images for conceptualizing connected speech, and his system is given power by his long experience in close analysis of natural, unscripted recordings. His principle claim is that unscripted speech radically departs from anything that the written form might lead us to expect.

Robin Walker (read our review of his latest book here) began by positing 3 stages in acquiring pronunciation: 1. the cognitive stage - becoming aware of a feature; 2. the associative stage - training yourself to be able to deal with the feature; 3.

What basic information question has been misunderstood in this picture? Answer = "What's your address?". Surprisingly, for many speakers, these two sentences are perfectly identical in sound. The S in "what's" and the Y in "your" combine to make an SH sound. This in turn joins the T in "What" to create the CH sound. That makes "Watch". The "Your" minus that first Y sound becomes "or".