Do you want to use more authentic listening materials with your learners? Are you looking for ideas on the kind of tasks you could design that will make the listening experience doable, develop your learners’ skills and inculcate confidence - all at the same time? And what's ambiguity and risk got to do with it all? Just some of the questions to be mulled over in this session.
In this workshop, we’ll be talking about and trying out various activities to use with authentic listening texts.
We’ll look at ways of activating different types of background knowledge, before moving on to consider the purpose and practicalities of materials design for activities which help students develop their decoding and meaning-building skills.
Designing a listening lesson based on authentic texts poses several challenges, not least because of the qualities of the texts themselves. However, with careful task design, we can mediate the difficulty level and ‘teach’ rather than 'test' listening.
Nowadays, the internet gives us easy access to audio (and audio-visual) recordings, and, naturally, many learners of English will want / need / try to listen to some of what’s available. However, and despite the amount of time spent ‘doing’ listening in the language classroom, they will often feel frustrated when they try to follow such recordings.
In this workshop, we’ll analyse some of the challenges language learners face when listening to authentic texts. Then we’ll take a walk through a listening lesson, trying out and discussing the different types of tasks which ‘teach’ listening, and help learners aspiring to B2 level become more effective, confident and autonomous listeners.
Pictures are like silent stories. Silent because they are non-verbal. Stories, because they are pregnant with content to talk about. For these two reasons alone, they are extremely useful in English language teaching. In this talk, we explain these and more advantages of pictures, as well as demonstrating different activity types for use in the classroom.
How can we 'mark' students’ oral production? In this session, we will look at suitable tasks for classroom assessment. We will then look at criteria with which both teacher and students can evaluate speaking. You will leave the session with strategies for creating ‘marking menus’ which are balanced and appropriate for different tasks and levels.
If you’re motivated to do something you value what you’re doing, and if you value what you’re doing you’re motivated – you’ll attend to the task at hand and be more likely to achieve success. In this presentation, we’ll briefly examine the nature of motivation alongside different aspects of courses we teach.
Many learners of English are now required to take an end-of-course speaking test, which teachers have to design, administer and assess. In this presentation, we’ll examine characteristics of practice tests which provide useful pointers for in-house test design.
Providing feedback is one of the most commonly conceived functions of a teacher, yet, according to Nunan (1991), the ultimate effect of feedback is often doubtful. How do we tend to respond to students' written work? What messages are we sending to our students as a result? Is the ultimate effect really, as Nunan suggests, doubtful? What are the implications for our teaching?
