It is often said that we test rather than teach listening. In this workshop, we consider the characteristics of classroom listening tasks and activities we can use with authentic audio materials. They have been designed to develop the listening skill, and simultaneously help non-native listeners become more effective, confident and autonomous.
Graham began with the premise, based on the work of Andrei Aleinkov (1989), that creative pedagogy leads to motivation and promotes lifelong learning. It leads to fluency of idea generation, flexibility, originality and elaboration (building new ideas on what is already known).
Thom Kiddle opened his presentation with statistics pertaining to the digital revolution, and the fact that teachers need to take control of issues relating to digital language teaching.
What aspects of listening, learning and listener character traits come into play when we take authentic listening texts into our classrooms and how might they relate to tasks and activities we devise? In this workshop we’ll look at the challenges authentic listening texts present for non-expert listeners around B2 level.
Do you want to use more authentic listening materials with your learners? Are you looking for ideas on the kind of tasks you could design that will make the listening experience doable, develop your learners’ skills and inculcate confidence - all at the same time? And what's ambiguity and risk got to do with it all? Just some of the questions to be mulled over in this session.
In this workshop, we’ll be talking about and trying out various activities to use with authentic listening texts.
We’ll look at ways of activating different types of background knowledge, before moving on to consider the purpose and practicalities of materials design for activities which help students develop their decoding and meaning-building skills.
In the second plenary of the day, Steve Oakes invited us to consider whether or not teachers and learners had ‘boxed themselves in’ when it came to attitudes towards the use of authentic materials in the classroom. It was apparent that this session would get us thinking out of the box in terms of difficulty levels and what it means to understand an authentic text.
Designing a listening lesson based on authentic texts poses several challenges, not least because of the qualities of the texts themselves. However, with careful task design, we can mediate the difficulty level and ‘teach’ rather than 'test' listening.
Pictures are like silent stories. Silent because they are non-verbal. Stories, because they are pregnant with content to talk about. For these two reasons alone, they are extremely useful in English language teaching. In this talk, we explain these and more advantages of pictures, as well as demonstrating different activity types for use in the classroom.
Images could be described this way: "A picture is a text without words". This is what makes them invaluable for the language classroom. They provide rich and immediate content, but they leave it up to the student how to put that into words. They can't 'cut and paste' as they can from a text. It doesn't put words in their mouths.
